The Little Persian Girl and the Starbucks Solution

I will admit it, I am a coffee snob and a coffee addict. Coffee to me is like cocaine to the average teen celebrity. I recognize and appreciate a quality coffee from a classy establishment.

So, I shouldn’t really need to explain why I indulge in the anti-Starbucks movement, but I will anyway: their exploitation of music, horrible coffee, cookie-cutter corporate culture, and pamphlets on “fair trade” practices are often infuriating.

In my neighborhood, I have several different options for obtaining my caffeine fix. Trees Coffee on Granville (superb), Finch’s Coffee on Homer and Pender (delightful), the little no-name coffee shop owned by the old Armenian man on Richards and Pender (charmingly Armenian). Lately, however, I have basically been living at my boyfriend’s…so, enter Benny’s Bagels.

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Internet 101: Part 1

Local clothing designer Kdon uses a blog format and regularly updates her site with photos of new goodies, which you can buy online.

These days, an online presence is vital to the existence and direction of your clothing brand. I used to boycott the internet, and play it off like I was too cool to ever touch a keyboard – but secretly, I was terrified. What if my site stats weren’t up to par? What are SEO’s? How can I take what I see of myself and turn it into 1′s and 0′s for the sheer enjoyment, pleasure and criticism of other people?

It was a nightmare, it was doom, it was horror! I didn’t know what to do about this online problem and my fears. Then I started working for a web 2.0 company that handled social networking within the film industry. I seriously thought I would die, every single day of my life I asked myself how I’d ended up there and how my boss could possibly think that my geek-talk was genuine.

Something magical happened, though. I began to fall in love with it all. Technical things started to make sense and networking events seemed to have ample drinking opportunities. Free booze and a few numbers never hurt anybody! Besides, my toned-down, absolutely undressy-dresses seemed like elegant ball gowns in a crowd full of programmers.

In all of this prancing around networking events and going to film festivals, I did learn a few things. The first thing, which deserves it’s very own post because it is so important, is this:

If you can’t afford a personal website, BLOG!

From this website alone, I have been contacted SEVERAL times regarding random PR related things, I’ve had feedback, I’ve been scouted to host a Fashion Televsion show with a $3.6 million contract, and have gone to many, many fashion shows.

Okay, so I lied about the Fashion Television contract, they’re just giving me the money because they think I’m lovely.

My point is: blogs are a brilliant way to get yourself out there. There’s no shame in utilizing a free blog service, and the bonus is that the publishing software is built in so it’s a dummy-proof way to get yourself on the net. Clothing designers can use the chronological posting format to showcase their most recent designs, and update on news and show events quickly and easily.

Stay tuned for Part 2 of my insightful musings on the importance of the internet and how to speak geek.

Vancouver Fashion Week: Review of Emerging Designers PT. 1

Shine Clothing at VFW F08
Photo by Kris Krug.

The first batch of Vancouver Fashion Week emerging designers showed on opening night at Chapel Arts on April 17.

Twitch Designs opened with four pieces. The use of corduroy and bright colours was evident, however something was missing. My initial question to Terri, seated comfortably beside me was, “we are watching Fall 08, right?” It was completely bizarre, each piece looked designed for Spring. Now, this could have been the case, however, there were no press materials present. There was no way that I could judge which collections they were showing on this evening, and there was no branding on the screen behind the models.

Shine Clothing managed to keep with the “Fall 2008″ theme (I can’t believe I had to judge whether or not that was being maintained) and really worked hard to put their sewing skills and creativity together. I loved the sexy red dress with a ruffled paper effect all over, I saw it as being the “piece de resistance” of the collection.

Hip Line by Eve Kinizo was a disappointment. I won’t lie. I want to be nice and give a designer some credit, but when you’re doing Vancouver Fashion Week with safety pins holding your dress together and cheap fabrics flooding the runway, then you really have to re-think your business plan. I was very shocked. They say tragedy plus time equals comedy, but for some reason I’m still not laughing. Hopefully with time there will be some improvements and this will be a great learning opportunity and we can all laugh about this in the (hopefully near) future.

Zena Fares was by-far my favorite Vancouver designer of the night. I wanted to take home almost every piece. Working as a young professional I like to keep my feminine appeal and stay away from outfits that scream “Hilary Clinton.” I feel that this line cinched Audrey Hepburn with Lily Allen. Cute yet classic.

See more images of Emerging Designers at VFW by Kris Krug here.

PR Advice for Fashion Designers

Dear Vancouver Fashion Designers:

Please know that you are doing a fantastic job. I understand art and artists, and that what you do takes love and a great deal of caring. I understand that demonstrating your work can be highly nerve-racking, and producing a fashion show to present your designs is no easy feat.

I would like nothing but the best to come for Vancouver designers – I want our city to be on the map as much as the next gal – HOWEVER: you need to get organized. Every fashion show, every single time you represent yourself as a designer, you MUST provide context. People need to know exactly what you do and how you’ve come to do it. Every single time you meet someone and represent yourself as a professional, they expect to see you act professionally. If you would like to make your living as a serious fashion designer, then you need to look at successful models both locally and around the world for inspiration and knowledge. It is your duty as an artistic entrepreneur to show the world your skills and be taken seriously, and that begins with taking yourself seriously.

Here are some essential elements that can help you build a fashionable empire:

  • Build media awareness, and document any articles and press you receive. Use this press to leverage yourself and your image; it might get you that next interview with an even bigger publication.
  • Make it easy for the journalist. This means organizing your press kit materials and providing media with TOO MUCH information. This way, they have more opportunities and angles to develop their story. Remember: writers are artists too, and artists should try to stick together. If a journalist gave you fabrics and a bobbin with no thread, you wouldn’t be able to sew your outfit together. Why would you expect the media to sew together a story about you without the threads they need?
  • There is no need to do a fashion show if you cannot afford to gather press materials. Seriously. Go big, or go home. There is a reason why people produce fashion shows, and it is not because they feel like participating in a fashion week for the joy of it. Fashion shows are meant to harness media and buyer attention, so you have to hone your corporate edge and give these anonymous viewers what they came for. Always be over-prepared because in the business world, anything could happen.
  • Look the part. There’s a fine line between effortlessly-chic and unfashionably-casual; you don’t want to be looking the latter when attempting to sell customers, media and buyers on your designs.

I will be posting tips as I observe more of what’s going on, little bits and pieces to (hopefully) come of some help to you on your way. If you have any questions in the meantime, don’t hesitate to email me! Ask us questions; that’s what we’re here for.

Love, Pariya

*Ed. note – One more point to add, which is so important: you need a website if you want your business to grow! Develop an online presence because if media can’t find information about you on the web, it makes our job very difficult. Especially if we want to write that big story and can’t find your phone number or email address…

Vancouver Designer Interview: Christie Clayton of Carny Love

Christie Clayton’s Carny Love at BCFW

I will admit, I fell in love with Christie Clayton at the BC Fashion Week press conference. She was friendly, approachable and she looked crazy with her neon pink hair. I appreciated her energy. We covered her Fall 2008 showing at BCFW’s Generation Next, and I loved her line, Carny Love. At the time, I spoke with designers and media and heard the whole gamut: it was a love/hate relationship. One designer marked the Carny Love line as “lacking creativity” and having a “generic style.” Another journalist mentioned she “didn’t mind the line, but [I] expected more from someone who has such crazy style in her own day-to-day look.”

Then yesterday, Christie Clayton and I shared a chance reunion at the Vancouver Public Library…we were meant to meet again! I sat down with the designer of Carny Love for an impromptu interview and learned some valuable insights:

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BCFW Profile: Chéz Noël

Meet the Volunteer Coordinator for BC Fashion Week, a woman who possesses so many talents that it would be impossible to cover them all in one sitting. Chéz began studying fashion at age 16 with Canadian designer Marilyn Brooks in Toronto, an opportunity which carried her to Toronto Fashion Week (back when Naomi Campbell and Claudia Schiffer were but young models) where she remained until 1998. Around this time Chéz applied at Sean John for a designer position, and they were impressed by her zealousness and invited her to check out New York Fashion Week. And so she did, and tried to secure a volunteer position. No dice, all the positions were filled. But her persistence and dedication prevailed, because when she showed up at 6am the next morning, a full two hours before anyone else arrives, the volunteer coordinator is so impressed that she caves and offers her a position. Chéz goes on to work at New York Fashion Week for two more seasons before being promoted to Volunteer Captain.

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