OK, Vancouver!

You may start seeing little “OK” buttons popping up on lapels throughout the city, and that’s your queue to strike up a conversation with an open individual who’s not afraid to talk to strangers. Steve Wood has been producing the buttons at no cost for anyone who requests them, after seeing the lack of connection and conversation among strangers in Vancouver. Even in intimate settings like public transit or standing in line at a café, there is very little acknowledgement between people – especially with the popularity of escapist gadgets like iPods. Wood believes creating a community by talking with your neighbours plays a large part in cultivating opportunity and well being. He got the OK button idea when a traveler remarked on the shyness of Vancouverites, then put his graphic design skills to good use. But money isn’t the intended outcome – Wood just wants to see Vancouver become a friendlier place, and the response is already booming.

Get yours at www.oksocial.org

INFAMOUS MAGAZINE, AUG 2007 ISSUE

Zombie Walk

Some of our friends wouldn’t quit drooling all over us. At first we thought it was because of our irresistible charm and good looks, but soon realized hungry zombies have descended upon the city searching for human flesh! We don’t mind a little love bite now and again, but the undead would much rather make a delicious treat out of your entire brain.

Hey, if you can’t beat ‘em, eat ‘em. With numbers doubling each year, the Vancouver Zombie Walk will surely spawn a new mass of living dead, thanks to social networking sites like Facebook and their handy Zombie Application, where you can bite your friends and recruit newly damned souls.

If this will be your first year in the zombie walk, I have one piece of advice. Blood. Lots of it. Get creative with the gory end of your past life and embrace your zombie-ness. However, if you happen to cross paths with this slobbering mob on August 25th, my advice is to run. Or break into a choreographed version of Michael Jackson’s “Thriller.” Zombies love that.

3pm, Vancouver Art Gallery, August 25.

INFAMOUS MAGAZINE, AUG 2007 ISSUE

Going Postal

If you know who Uwe Boll is, you may not believe that my review of his latest film Postal is actually a good one. If you don’t know who Uwe Boll is, you might recognize him as the reviled German (now Canadian!) film director who was so fed up with critics bashing his films, he challenged them to a boxing match at Plaza of Nations last year. And won.

Boll readily admits that time was a dark one for him. His films met horrible reviews, while politics and the 9/11 attacks left the world in a tumultuous state. He wanted to make a good movie, so he wrote a comedy.

Although the film retains the same name as the video game on which it is based, that’s where their similarities end. Boll crafted a cohesive plot in this film, which involves both the Taliban and a disgruntled do-gooder named Dude scrambling after an exclusive shipment of valuable merchandise. Much like Team America: World Police, Postal is overtly political, offensive and utterly shocking – but doesn’t hide behind the fallacy of marionettes. The extreme humour and satire that permeates the film allows Boll to toe the line, and he doesn’t even spare himself of this mockery. His theme-park cameo demonstrates his ability to take a few jabs and hooks in stride.

Dave Foley as a cult leader and Zack Ward as Dude made a great lead team, while Verne Troyer and Erick Avari inserted their own bits of hilarity into the mix.

And the ride doesn’t end here: Boll has produced two films (BloodRayne II: Deliverance and Tunnel Rats) since filming on Postal wrapped, and Far Cry shooting recently began in Vancouver. In fact, Boll is notorious for jumping from one project to the next, often retaining a loyal core crew throughout these consecutive projects. Tink has been the production designer on at least half a dozen of Boll’s films, and invited us onto the Far Cry laboratory set for a poke around. Another video game adaptation, Far Cry is based on an ex-Special Forces man who visits a military facility with a female journalist. They soon discover the Micronesian island is a haven for genetic modification experiments, and action ensues.

Whatever your opinions on the director everyone loves to hate (even those who have never seen a minute of any of his films), do yourself a favour and let it go for an hour and a half. Boll’s general message is this: the world has gone to shit, and it’s time to turn it around. Jaws will drop, audiences will laugh, and you’ll be treated with a dose of tough love, Boll styles.

Postal will be released in North America, the UK and Germany on October 12, 2007.

www.postal-the-movie.com

INFAMOUS MAGAZINE, AUG 2007 ISSUE

Manufacturing Dissent

“Manufacturing Dissent” creators Debbie Melnyk and Rick Caine certainly aren’t the first to expose Michael Moore’s manipulative filmmaking techniques. But far from being vengeful haters, this Canadian husband and wife team initially sought to make a positive documentary about Moore, whom they respected deeply. After continual refusals by Moore for an interview, they instead followed him on his “Slacker Uprising” speaking tour, interviewing some of his former colleagues along the way. Moore’s true character reveals itself as Melynk and Caine whisk us into the past, guide us through his career path, and land squarely in Moore’s present wake.

The most laudable of Moore’s errors was also one of his first. After centering the premise of “Roger & Me” around himself (!) and his quest for an interview with GM’s Roger Smith, he actually obtains two interviews with the CEO. Instead of rearranging the story within his documentary to align with the truth, Moore pushes the façade. Another cringe-worthy moment sees a resident of Flint ask Moore why he mocked their fundraising efforts in the film and questions what he plans to contribute to the community. Moore scoffs, proudly announcing, “I’m sorry I made a movie millions of people want to see.” This is a poignant example of how Moore is more invested in himself than the movements he parades on screen.

The tally of Moore’s cons is seemingly endless; that “Bowling for Columbine” scene where he famously enters a bank and leaves with a gun? All staged. Moore and his people spent 30 days setting that up. Melnyk and Caine find no shortage of individuals who expose Moore’s lies; but instead of pushing this angle to create a more controversial (and possibly more profitable) film, they provide a fair, even-grounded approach by also addressing the good Moore has done for the political left. “Manufacturing Dissent” has all the ingredients of a good doc – its creators present their intentions at the outset and openly admit how their biases changed throughout the filming process, while giving equal credence to both sides of the issue and letting the actions of their subject speak for themselves.

Effectively timed to coincide with the release of “Sicko,” “Manufacturing Dissent” provides an integral balance to Moore’s skewed vision, however well intentioned it may be to serve the needs of the left. As one interviewee aptly notes, good intentions lose all value when you utilize lies as the foundation of your cause.

http://www.manufacturingdissentmovie.com/

INFAMOUS MAGAZINE, AUG 2007 ISSUE




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