Tame Impala: 14 Going on 40

horrible mobile photo by: me

It’s really hard to diss a band that’s got the psychedelic vibe of Pink Floyd, the riff skills of Led Zep, and the respectful reference to more modern bands that have flourished from the same seeds of reference over the decades.  Yet Tame Impala, much adored psych rockers from Australia who received a lot of hype for their first album, Innerspeaker, left me with a case of the yawns tonight at the Commodore Ballroom in Vancouver.

Don’t get me wrong, they did everything right.  Too right.  Sounded great, close enough to the album but with an edge of in-the-moment, garage-inspired jamming.  Didn’t detract too far from the record, but enough live improv to earn respect from the headbangers.  Songs perfectly streamlined and without boundary effectively prevented them from speaking outside of lyric for the first hour of the show.  Looking so much like 14 year old garage band stoners that had been around the block enough times to pass for their 30′s or so that I had to blink my eyes a number of times to assure myself that I was seeing them correctly.  Time warped teenagers. Either they’re young enough to be shy, or old enough to not give a fuck about audience rapport; that I still couldn’t answer you.

Right as I realized an actual word hadn’t been spoken this entire time and steam was about to come pouring out of my ears, Kevin Parker uttered a “thank you.”  I almost keeled over in shock.  Words, conveyed – what a concept.  Went further to say that they don’t do encores, so when they play their last song, that’ll be it.  That I can’t argue with…I would certainly do the same if I ever got a gig as, say, a percussionist or something in a band (not that I’m capable, or interested in that at all or anything), and had the austere authority of a lead vocalist slash guitarist to make such calls.

But at the end of a day, this is live music.  It’s a performance.  Played out by members of a band who are entitled, nay, obligated, to play out their part of the melodrama, drive the point of their lyrics home through action and raw emotion played out night after night without hesitation.  Flail about, be drunk and disorderly if that’s what it takes.  Remember, you’re artists.

Anything less is an utter bore, barely worth comparison to my speakers at home when they’re turned up to 11.  At least here I can supply the emotion.

Efterklang Existentialism

I don’t think you can avoid some sort of existential crisis after a bit of a vacation…3 weeks in Europe, and I to return to the age old questions: who am I, where do I want to make a life, what the heck am I doing with my career, etc.  Efterklang didn’t necessarily solve any of those questions for this old gal, but I did have the extreme pleasure of finding these strange fellows saddled up to my bar tonight, and after a bit of joking and chatter I discovered they were from Copenhagen (which, by  chance, was on my travel itinerary but I cut it out to go to Poland instead) and, gasp, in a band.

Rasmus was gracious enough to invite us to the show…and what else do you do after weeks of partying abroad but continue the adventure once you return home? Foot wasn’t halfway in through the door before me and my workmates knew we had stepped into something wonderful.

The gushing could probably stop here but I’ll take a paragraph to elaborate on why I want to spread this musical wealth. Mono has been my all time favourite live show since I saw them while I was tending bar in Victoria during my university days.  The Japanese trio came off stage after having blown an audience of just 15 people or so to shreds, guitarist lights up a cigarette inside the venue and I begrudgingly ask my manager what to do.  He glances over, looks back at me, and says, he’s way too fucking cool, he can smoke inside.  So now, something like 8 years later and all the shows I’ve seen since that momentous blip on my live music spectrum, Efterklang has nearly taken the cake, wedging up nicely to Mono in my favourite band dessert pile, despite their differences in genre.

The Efterklang show had inspired energy, audience involvement, a small and obscure venue not at all on par with the band’s talent, lots of clapping (anyone who knows me will understand my appreciation – I clap and tap on every surface available), and the band members are so mind-bogglingly talented that they can simply dance around a tiny stage, swap instruments, and continue on with their joyous and melodic music ceremony. It nearly got so brilliant and amazing that I had to remind myself to stop staring, creep.

Anyhow, I thank Efterklang because not only did they put on a great show tonight, but I’m reminded to be curious about every stranger that I meet. We who may be quiet and reserved in one instance are animated and robust in another.

Buy their album!  Though if you have the opportunity to see them live, do that too. I would cross borders, personally.

Crazy Heart

This film is amazing. Jeff Bridges, need I say more.  Got me on an old country kick, listening to outlaw country records and dreaming of rickety barns, horses, rocky mountains and open fields, camping lakeside, drinking whiskey by the fire, playing cards, being dusty.  And cowboys, there’s just something about cowboys.

Right now I’m hyper alert to things that are inspiring me, pouring everything into designing my next larry. collection.  The nostalgia for old country you get from this film is a big drive for me in this process.  Just makes me want to pile into an old Dodge and retreat to the Cariboo, hole up with my dog and a set of knitting needles and get to work.

I’d fully recommend getting your hands on the Crazy Heart soundtrack for starters, there’s some great tunes on there.  I’m going to hit up the thrift stores and look for some old honky tonk records to add to my small but growing collection.

Music Videos With Cars

Two pretty awesome new music videos I’ve seen in the last day that are worthy of sharing.

Gorillaz
‘Stylo’

Starring Bruce Willis = how could you go wrong really.

And, OK Go ‘This Too Shall Pass’

I don’t even want to think about how many times it would have taken to get that right. Impressive.

“larry.” in Tegan & Sara’s Alligator video

Tegan & Sara are fully decked out in “larry.” garb in their new ‘Alligator’ music video, as are their backup dancers.  Can’t get the song out of my head, and love their take on the winter wonderland theme, how very Canadian.

Stereogum had this to say:

Tegan & Sara pick much better costumes for “Alligator,” with some winter crochet wraps that exist somewhere between Oak and Etsy.

And Prefix Magazine calls the pieces “stylish crochet headwear.”

I graciously forgive both publications for mixing up crochet and knitting.

The girls are wearing the Sheridan Shawl and La Hache Scarf, hand-knit with BC alpaca yarn.

Watch the full music video on MUCH MUSIC!

Do You Like Music?


Neutral Milk Hotel - In the Aeroplane Over the Sea

I like music too.  I’ve just been tipped off to this great site, Apophenia, that provides links to zip files of entire albums.  Good ones, too.  See ya later, Limewire!

Speaking of music, you might also want to consider following Culturite’s blip.fm stream – he’s introduced me to many a great new band.  I’m all over Neutral Milk Hotel and Son House right now, thanks to him.

Even more music news: if you’re into film/photography/good bands, you’ve got a chance to contribute content for a Choir of Young Believers‘ music video through BOOOOOOM!  My buddy Jeff Hamada is always coming up with fantastic projects through his site, and this 8th endeavour is a really unique opportunity be a part of something spectacular.  Check out the deets for the music video project here – deadline has been extended to July 1st.




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